Wakana Kaitani

[Overview in Japanese]

Market | The Art Journal | English | 2026
The Reinvention of the Art Fair

Interview | Art Nikkei | Japanese | 2026
Protests, Censorship, and Corporate Power: Inside the Turbulent Opening of the Venice Biennale

News | The Art Journal | English | 2026
After a Landslide Victory, Will Sanae Takaichi’s Election Reshape Japan’s Art World?

Opinion | Tellart | English | 2026
Do We Need to Reinvent the Language of Experience Design?

Review | Bijutsu Techo | Japanese | 2026
Casa Batlló Unveils New Exhibition Space for the First Time

News | Bijutsu Techo | Japanese | 2026
Fotomuseum in Rotterdam reopens in a former coffee warehouse

Interview | Art Nikkei | Japanese | 2026
What Makes an Art Ecosystem Work? An Interview with Rachel Pownall

Opinion | Tellart | English | 2025
How Tellart is Constructing Black Boxes for AI Engagement

Review | Bijutsu Techo | Japanese | 2025
Tilda Swinton:’Ongoing’ at Eye Film Museum

Report | Art Nikkei | Japanese | 2025
Mucha Museum in Prague and Saverin Project

Insight | Art Nikkei | Japanese | 2025
Beyond Selling: New approach to Europe’s Art Fair–Driven Market

Review | Bijutsu Techo | Japanese | 2025
Marte Donas & Alexander Archipenko at KMSKA, Antwerp

News | Harper’s BAZAAR art No.4 | Japanese | 2025
International Exhibition Calendar: Autumn & Winter 2025

News | Harper’s BAZAAR art No.4 | Japanese | 2025
International Art News – On the RADAR

Insight | Art Nikkei | Japanese | 2025
Cultural Investment in the Gulf: Toward a Global Cultural Hub

News | Bijutsu Techo | Japanese | 2025
A New Contemporary Art Space at Casa Batlló in Barcelona

Insight | Bijutsu Techo | Japanese | 2025
Social Media Strategies by the Rijksmuseum Amsterdam

Opinion | Art Nikkei | Japanese | 2025
Art Experience and the Power of Space at a French Chateau

Review | Bijutsu Techo | Japanese | 2025
Art Zoo Museum in Amsterdam

Insight | Art Nikkei | Japanese | 2025
European Museums and the Legacy of WWII

Opinion | Art Nikkei – Tokyo Gendai Edition | Japanese | 2025
“KOGEI”: The Global Appeal of Japanese Craft

Review | Bijutsu Techo | japanese | 2025
Isamu Noguchi at Rijksmuseum

Insight | Art Nikkei | Japanese | 2025
Rediscovering Art Experience and the Future of Museums

Insight | Bijutsu Techo | Japanese | 2025
Why is Frieze Cultivating “Art Writers”?

Review | Bijutsu Techo | Japanese | 2025
The Museum “FENIX” Opens: Exploring Human Migration Across Time and Cultures

Talk | Bijutsu Techo | Japanese | 2025
“Value of Art” Beyond Price? The Changing Role of Connoisseurship

Review | Bijutsu Techo | Japanese | 2025
Yukinori Yanagi: ‘ICARUS’ at Pirelli HangarBicocca, Milan

Interview | Bijutsu Techo | Japanese | 2025
Van Gogh Museum and Stedelijk Museum Curators on the Significance of Staging a Kiefer Exhibition Today

Review | Bijutsu Techo | Japanese | 2025
Anselm Kiefer’s Major Exhibition Sag mir wo die Blumen sind Opens Across Two Museums

Insight | Bijutsu Techo | Japanese | 2025
The Netherlands Makes Investments in Immersive Experiences: What Possibilities Do the Government and Creative Industries Envision?

Interview | Art Nikkei, Art Fair Tokyo Edition | Japanese |2025 Brazilian Curator Thyago Nogueira to Curate Traveling Exhibition of Daido Moriyama

Interview | Art Nikkei, Art Fair Tokyo Edition | Japanese |2025 Christelle Havranek, Chief Curator at Kunsthalle Praha, to Curate Chiharu Shiota’s First Exhibition in the Czech Republic

News | Bijutsu Techo | Japanese | 2025
Private Museum × Five-Star Hotel: “MACAM” Opens in Lisbon

Interview | Bijutsu Techo | Japanese | 2025
A New Museum Dedicated to “Migration”: Fenix Director Anne Kremers on Creating a Meaningful New Cultural Space

Report | Bijutsu Techo | Japanese | 2024
Swiss Museum Photo Elysée and Parmigiani Fleurier Join Forces to Support Artists at Prix Elysée (from Paris Photo)

Insight | Bijutsu Techo | Japanese | 2024
Know-How of Museum Licensing Businesses

News | Tokyo Art Beat | Japanese | 2024
How Europe’s Rightward Shift is Impacting Art and Culture: Tracing the Effects of the New Right-Wing Government on Dutch Cultural Policy

Review | Bijutsu Techo | Japanese | 2024
James Ensor ‘Wildest Dreams’ at KMSKA, Antwerp

Interview | Bijutsu Techo | Japanese | 2024
The Art Startup “Avant Arte”: How a Young Entrepreneur Aims to Transform the Art World

Insight | Bijutsu Techo | Japanese | 2024
Niomon Project by a Dutch Sculptor Reveals the Challenges of Domestic Cultural Heritage Preservation

Interview | Bijutsu Techo | Japanese | 2024
The Critical Role of Fine Art Insurance: Insights from AON Netherlands’ Fine Art Director

Insight | Bijutsu Techo | Japanese | 2024
The Global Bank Supporting the Art World: Why Bank of America Funds Cultural Heritage Preservation

Insight | Bijutsu Techo | Japanese | 2024
What Dutch Higher Education Teaches About Practical Art and Cultural Management

Insight & News | Bijutsu Techo | Japanese | 2023
TEFAF Launches a Curator Program to Bridge the Gap Between the Market and Academia

Insight & News | Bijutsu Techo | Japanese | 2023
The Last Design Movement? What Dutch “Droog Design” Brought to the World

Insight & News | Bijutsu Techo | Japanese | 2023
Mauritshuis’ Head of International Business Development Simone Hollen on Global Strategy

Book Review | ARTnews Japan | 2022
Art Books to Gift This Winter from the Editorial Team